top of page

The projet

Phase 1 : preparation of Svobodays
(2020-2022)

The first phase of the project is a preparation phase,  

which brings together the skills of students from the three partner schools

to produce the materials for the Svobodays event.

I. Dynamic models

Production of models of Svoboda's scenographic, kinetic and lighting devices.

Devices used in these three different productions were chosen to open up to contemporary creation.

Faust.JPG

Ensatt / Faust

Construction of the model of the scenic device

of Faust (1996)

by the students of Ensatt.

This device combines reflection, kinetics, machinery and projection.

Gra.JPG

Jamu / The Trap - Graffiti

Construction of the model of the device

of Graffiti (1999)

by the students of Jamu.

This device integrates video

and digital technologies.

Traviata.JPG

Esad / La Traviata

Construction of the model of the device

of La Traviata (1992)

by the students of Esad.

The device consists of a mirror reflecting painted canvases or images projected on the floor.

Black Box

Design and production of a removable miniature theatre 

to experiment with models

on light, digital and video technologies.

​

BBx.JPG
Phase 1

III. Travelling exhibition
"Scénography 2.0"

Design and production of an exhibition  (panels, screens, projections)

In less than two decades, digital technology and advanced technologies have profoundly transformed the landscape of live performance.

Intelligent lighting, video projection, mapping, tracking, intermedia systems and other innovative tools,

referred to here as "scenography 2.0",

have opened the way to new forms of creating

and led to the emergence of new professions and specializations.

This exhibition proposes to discover the precursors of these scenic mutations,

and to question our contemporary practices in this area.

Phase 2

Phase 2 : Svobodays tour
(2022-2024)

The second phase of the project is a diffusion phase, with the Svobodays taking place in different

European higher education schools offering a training course in scenography.

The event is adapted to the wishes and possibilities of the host school or venue, in a format of 3 to 4 days.

A typical Svobodays edition:

Image1.png
Capture.JPG
8dceb8bb-5e5f-44e6-b85d-76fd4048ef53-scaled_edited.jpg
Gask exhibition (4)_edited.jpg
Lenso-picoprojecteur-allumage.jpg
jeu d'orgue.JPG
180427_ENSATT-Lyon-Svoboda_45_photo_(c)_www_atelierkrea_eu_edited_edited.jpg

D -1 :

Arrival of the team at the host school

Meeting with the educational team

Set up, installation

​

D1 :

Opening of the exhibition and the Black Box

Student workshops

Thematic conferences

​

D2 :

Student workshops

Thematic round table 1

Survey on the teaching of scenography 2.0

(interviews with teachers and students)

​

D3 :

Student workshops

Thematic round table 2

Continuation of survey/interviews

​

D4 :

Non-student groups welcome day (discovery of technical professions in the entertainment industry)

Debriefing meeting

Dismantling

​

Actions aimed at groups of non student young people

This program is not only aimed at art students who are already involved in a training course,

it also targets groups of young people questioning their professional orientation

(secondary school students, young people who have dropped out of school),

through two types of action:

​

Introductory course in stage techniques

​

A 5-day training course organized in each of the three partner schools in 2023,

aimed at young people questioning their professional orientation.

They will discover the professions of stage management, stage machinery and costumes.

(workshops, experiments, exchanges with professionals and students)

​

Days of discovery of the technical professions of the stage

​

At each edition of Svobodays there will be a special day

dedicated to welcoming groups of students and young people who have dropped out of school.

Welcomed by students from the partner schools and the host schools,

they will be invited to visit the exhibition, participate in workshops,

try their hand at directing in the Black Box, and exchange with professionals and students.

The aim of these actions is to motivate participants to enter a technical field level 3 or 4

(electricity, audio-visual, networks, carpentry, sewing)

to enable them to subsequently take up a technical course of study in the entertainment industry.

Actions
bottom of page